Travis is pacing the floor, looking at and touching thetelephone, afraid to call, but inescapably drawn. He finallypicks it up and dials.

 

TRACY (V.O.)

Hello.
 
 

TRAVIS

Tracy, this is Travis.
 
 

 

TRACY (V.O.)

(Formal)

How are you, Travis?
 
 

TRAVIS

I'm fine, except I miss you.
 
 

TRACY (V.O.)

(Uncertain of him)

I suppose you do, one way or 

another.
 
 

TRAVIS

I'm sorry I let you down. Can we

get together for dinner and talk?

Just dinner.
 
 

TRACY (V.O.)

(Beat)

Can I pick the restaurant?
 
 

TRAVIS

Sure.
 
 

Travis and Tracy are being seated at a nice table. Both are elegantly dressed. The maitre d appears, bows and exchanges pleasantries with a formal, stilted accent. He hands them a winelist and leaves. Another waiter fills their water glasses with bottled spring water. Travis studies the wine list and offers it to Tracy. She passes and Travis lays it down. Moments later a wine steward appears to take their order. Travis orders a Frenchwine, properly pronouncing it with a French accent. The waiter nods and leaves.

 

TRACY

Do you often order French wines?
 
 

TRAVIS

Only on business and formal 

occasions. I prefer the California

wines.
 
 

TRACY

Then why the French wine? I really

don't care.
 
 

TRAVIS

Because you're worth it. Call it

penance.

 

TRACY

(Icily)

Just how much am I worth?
 
 

TRAVIS

(Beat)

Is that what this expensive 

restaurant is about?
 
 

TRACY

I don't know. Is it?
 
 

TRAVIS

(Beat)

I'm not trying to buy my way into

your heart, if that's what you 

think. 

 

TRACY

I don't know what to think. What

should I think about a man who screws

everything in a skirt just because

he can.
 
 

 

TRAVIS

I suppose you've never done anything

wrong? A pillar of moral rectitude?

 

TRAVIS (Continued)

Tell me, what can I do to apologize?

To make it up to you? To put us

back together?
 
 

TRACY

Maybe you could start by explaining

just what it was you thought you

were doing to me.
 
 

TRAVIS

I was enjoying your company.
 
 

TRACY

And you didn't enjoy those other

women?
 
 

 

TRAVIS

I was falling in love.
 
 

TRACY

We knew each other less than two 

weeks. You sweep two or three

women off their feet every week.
 
 

TRAVIS

From the moment we met, I felt 

very comfortable with you.
 
 

TRACY

You seem to get comfortable with

women very easily.
 
 

TRAVIS

You're not making this easy for me.

Why did you agree to see me again?
 
 

TRACY

I made a mistake once. A big one.

You're NOT going to be another.

Tracy is doing a facial on a woman. Travis enters. Tracy sees him and smiles, pleased but cautious. She directs him to a chair. He watches her do the finishing touches on the woman. Tracy sees him watching and they exchange glances. 

The woman leaves and Tracy begins to gently clean his face with a cloth. Their eyes meet, Tracy melts as she cleans, but gets uncomfortable. She angrily grabs the mud, slaps it on his face and smears it all over his face and clothes with a vengeance. After a moment she stops, sees a clean spot on his nose, dabs some on his nose and they laugh. 

Travis waits in his car. Tracy exits the building. She gets in the car with Travis and he is beaming.

 

TRACY

OK, what's up?
 
 

TRAVIS

I have put together five corporate

accounts in five weeks. And that

got me promoted to Assistant 

National Manager. 
 
 

 

TRAVIS

Is something wrong?
 
 

TRACY

Everyone thinks you're screwing 

Gina. You spend more time with

her than you do with me. And

your promotion proves it.
 
 

 

TRAVIS

It isn't fair. Gina is the one who

is putting my life back together!

Without her help.... I'd be lost!

Why are they doing this? I'm going

to end up losing you all over again.
 
 

Travis walks Tracy to her door. They stop by the door and he kisses her. She takes out her key to unlock the door. He kisses her again.

 

TRAVIS

Good night. See you tomorrow?

INT. TRACY'S BEDROOM - NIGHT

Travis and Tracy are in bed. Travis is holding Tracy, strokingher lovingly. She cuddles closer to him. He begins kissing her, covering her body, lingering briefly, tantalizing her. At her lips he kisses lightly, teasing, until she can take it no longer and pulls him onto her. 

They are laying side by side, embraced.

 

TRACY

Gina likes you. I can see it in

the way she looks at you.
 
 

TRAVIS

There is nothing going on between

us. Gina doesn't want a

relationship.
 
 

TRACY

You like her.
 
 

TRAVIS

Not like I like you.
 
 

TRACY

She's going to be your biggest 

temptation.
 
 

TRAVIS

I think you're just jealous.
 
 

TRACY

I am jealous. You can't have a

close relationship with two women.
 
 

TRAVIS

You're awfully suspicious.

 

TRACY

(Beat)

I'm going to tell you something I

haven't told anyone. I told you I

made a big mistake once.

(Beat)

Half way through my Sophomore year

of college, my father lost his job.

I had no money coming in and my

financial aid was exhausted. There

was a men's college nearby, and

there was a professor who taught at

both campuses. Psychology. He 

kept trying to get me to go to work

for him - he had a sex therapy

business, he said. I always said, no.

Then when my Dad lost his job and I 

went begging, the professor asked me 

to work as a sex surrogate. 

(Beat)

There were a lot of professors who 

had these problems - premature

ejaculation, and fear of women - all

kinds of weird things. I had to see

several of them once or twice a 

week. 

(Beat)

Then one day the police came and 

arrested me - arrested us all. The

jerk was running a prostitution ring 

with college girls. Some of them

knew it. I didn't - I was gullible.

I got a police record, my name was 

in the paper - it was so 

humiliating. Everyone on campus

knew. I had to go to a different

college my Junior year. 

(Beat)

I'll never trust any man. Don't

expect me to trust you with Gina.
 
 

Mark is in the modeling studio explaining the program to a prospect. Travis enters, carrying a book. Mark ignores him and continues explaining the program. After staring at Mark for a long time, Travis takes a seat and waits. Mark finally takes papers and has the woman sign them. Mark shakes her hand and she leaves, with Mark following her up the aisle past Travis. Mark stops by Travis, is less than friendly.

 

MARK

Sorry to make you wait. I can't 

afford to let a prospect get away.
 
 

TRAVIS

It's OK.
 
 

MARK

So what's up, another new promotion,

or another promotion?
 
 

 

TRAVIS

Nothing actually. I saw this book -

a new one on superstrings - I thought

you might like it. I was in town

so....
 
 

 

MARK

Is this supposed to make up for

something?
 
 

TRAVIS

No. I just.... You don't get to do 

what you want to do. At least this

thing is good reading - supposed to 

be.
 
 

MARK

Gee thanks. Life by vicarious.
 
 

 

TRAVIS

I didn't mean to insult you, I just

wanted to help. 

You're responsible for your own

life, you know. You want to do 

something, you do it.
 
 

MARK

Yeah, Mark the miracle worker. Who

told you that crap anyway?
 
 

TRAVIS

Gina.
 
 

 

MARK

I guess you should know.
 
 

 

TRAVIS

(Beat)

We're not doing anything. Nothing

at all.
 
 

 

MARK

She likes to meditate a lot. Get 

to know a person deep down. Gets 

in your soul. Then it's meditation 

in the nude, and making love with 

the mirrors reflecting. And going 

into ecstatic trances in her hot 

tub or her living room and ending 

up in bed. Or screwing right

there in the hot tub. She likes it

best standing up, doesn't she. You

know what I'm talking about!
 
 

 

TRAVIS

No, I don't.
 
 

MARK

All that spiritual stuff is just 

her foreplay. Just a prelude to

sex. Don't mess with me, Travis, 

I know how the lady works.
 
 

 

MARK

Congratulations on your promotion.

You got it all.
 
 

Gina and Travis are seated. Gina rises and begins clearing dishes from the table.

 

GINA

I'll wash, you load.

 

TRAVIS

Why do you always wash your dishes

before putting them in the 

dishwasher?
 
 

GINA

That's not a dishwasher, that's a

marketing concept. It won't clean.
 
 

TRAVIS

Then why did you buy it?
 
 

GINA

The builder who built the house

recommended it. He said since I

was single I probably didn't need

the upgrade model. He failed to 

tell me this model was just the

manufacturer's marketing concept, 

it doesn't actually wash the dishes.
 
 

TRAVIS

So what are you going to do with 

the thing?
 
 

GINA

Exchange it for their competitor's

model. It's the best advertising 

their competitor has.
 
 

TRAVIS

Makes you think about our marketing,

doesn't it.
 
 

GINA

Jordan and I have an understanding.

If it isn't genuine, we don't sell

it. Believe me, a lot comes down

from Kenrick that's gold plated 

bologna.

 

TRAVIS

How important are your visions? 

Do you hear voices from God?
 
 

GINA

(Laughs)

No. They're only my own internal

gropings. My subconscious breaks

through and tells me something, but

it's in symbols, like a puzzle. 

It's like looking through a mist -

instead of seeing clearly, I see

everything disguised.

C'mon, I'm going to get

comfortable - I'll meet you in the

meditation room.
 
 

Gina and Travis are getting seated in the meditation room. Gina's clothing is sheer, revealing, sensual. Travis is drawn to her, but at the same time fearful.

 

TRAVIS

Are you testing my mettle?
 
 

GINA

No, does this bother you? I'm 

sorry, I'll change.

 

TRAVIS

No, don't. You've helped me 

understand I don't have to.... 

taste every sweet temptation.
 
 

 

TRAVIS

People are talking about us. They

think there is more going on between

us than there is.
 
 

GINA

People will think what they want.

I can't live my life by other's 

small minds.
 
 

TRAVIS

If everything you see is so veiled, 

why do you do this stuff? It all 

sounds like some voodoo ritual 

straight from Africa. You know, 

those dances where they get ecstatic

and everything ends in an orgy or

something.
 
 

GINA

(Really disturbed)

Hey! 
 
 

TRAVIS

(Laughs nervously, sobers)

I just want to understand. This is

really weird for me. 
 
 

 

GINA

I did misuse it once, with Mark. 

But this is really important to me. 

It's driving me crazy.

Dreams are your subconscious 

knocking. They're a prod to get

you to start unraveling yourself.
 
 

TRAVIS

I suppose you're right.
 
 

GINA

I've had ecstatic visions since I

was a kid. But I've made very 

little progress unlocking them. 

And it's because I really haven't

grown - matured - very much.
 
 

TRAVIS

I doubt that.
 
 

GINA

Visions tell me more than a dream. 

They stay in the back of my mind 

and one day I understand - I see 

life happening and the vision just 

makes all the sense in the world. 
 
 

TRAVIS

You have a lot of these visions?
 
 

GINA

I have ecstatic experiences maybe

once a month, but no vision. I 

have a vision maybe on average every

.... five years.

I meditate to try and see within

myself to find the answers. 
 
 

TRAVIS

But this sounds so.... hocus-pocus.

If you're having this dream, and 

it's so important, why don't you

understand it? 
 
 

GINA

Because it's painful. It's telling

me something about myself that I'm

hiding from, so it's telling it to

me in symbols.
 
 

TRAVIS

If it's painful, why do it?
 
 

GINA

We're not comfortable with a lot of

things about ourselves. Growth....

stretches us in painful ways. But 

if you really try to understand and

help yourself, you unlock yourself 

from the chains that hold you back. 

Enough! Let's do it.

 

GINA

Why am I afraid to live? Why am I

afraid to live? Why am I afraid to

live....
 
 

 

KENRICK

Don't you laugh as the hearse goes

by, for you may be the next to die.
 
 

 

KENRICK

The undertaker takes you in while 

all of your relatives sit and grin.
 
 

 

GINA

People were at the funeral this 

time.
 
 

TRAVIS

What does that mean?
 
 

GINA

I have no idea.
 
 

TRAVIS

How do you solve the mystery?
 
 

GINA

Little clues. 

I love color. Let's work on 

that a little. I was wearing a 

white dress.
 
 

TRAVIS

White wedding gowns are a symbol

of purity. 
 
 

GINA

I'm definitely not pure.
 
 

TRAVIS

Were you mourning the death of 

your virginity?
 
 

 

TRAVIS

Maybe not actual virginity, but 

symbolically?
 
 

GINA

It's important how I feel about 

the dream. How I feel about the

color.
 
 

TRAVIS

There are black colors in the dream.

The casket. Kenrick's clothes.

What does black mean? Emptiness?

Hopelessness?
 
 

GINA

Yes, I think so. That feels right.

When I think about the dress,

how do I feel? Like I'm burying 

marriage. My chances for having a

husband are going. I'm lonely for

companionship.
 
 

 

KENRICK

It's too late, Gina. Too late.

 

GINA

But I'm not dead yet!

Gina and Travis are still sitting and staring at an image, which is now of a wedding. They are holding hands and sitting close together. The image changes to a bride and groom kissing. Travis kisses Gina on the cheek. She kisses him back on the lips. Travis kisses her on the lips and lingers. She pushes him away and lays down. He lays down next to her. She smiles knowingly and puts her hand on his chest keeping him away.

 

TRAVIS

Just one more.
 
 

 

TRAVIS

Please.
 
 

 

TRAVIS

Not fair, that wasn't long enough.
 
 

 

TRAVIS

Come on, Gina, you're lonely. 

What would it hurt. After all, I 

know how to satisfy a woman like

she's never been satisfied before.

 

GINA

No, no, no, we can't do this.

You're learning to resist and I 

have vowed to stay chaste. 
 
 

 

GINA

Look but don't touch.
 
 

 

GINA

You can't seduce me, Travis, I can

resist.

Gina sits up in bed, gasping for air.

 

GINA

Nooooo! Damn it, no! Not with 

Travis. 
 
 

 

GINA

I am so mad at myself.

I pretended in my dream that I 

couldn't resist Travis and I let 

him have me. 

I am soooo damned self indulgent. 

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